Verzivo Agent Music Video Tutorial
From uploading a song to the final MV: lock inputs first, review step by step, and roll back precisely when something drifts.
1 Start in the create workspace
Before the session runs, lock the path, song, prompt direction, and create controls. Careful setup early means fewer reworks later.
1.1 Open the main MV path
Enter Create MV from the homepage. For your first real project, stay on the full Agent path instead of jumping into narrower tools.
Mode chips under the composer are useful when the goal is already clear. To learn how a song becomes a complete MV, stay on the main path first.
Do this
Lock the main path first, then build concept and assets around it.
Avoid this
Switch modes after the concept is forming and expect earlier choices to still hold.
1.2 Add the song you will actually ship
Click Add Music or Upload music and attach the exact track for this MV. Confirm filename, duration, and trim range when needed.
This is not a placeholder step. Verzivo reads structure, momentum, emotion, and rhythm. Swapping the song later changes the whole chain.
- Prefer a local upload when you already have the final audio
- Confirm the production range before continuing
- Use a direct URL only when you are sure about the source and version
1.3 Give the Agent an executable starting direction
Describe the MV you want, or leave the prompt empty and let the system follow the music more closely. If you write a prompt, keep it clear and free of conflicting demands.
- Who should the audience lock onto?
- What world or setting does this MV live in?
- What is the overall visual mood?
- How should energy move as the track opens?
1.4 Check create controls
Before continuing, review aspect ratio, resolution, style, subject type, captions, watermark, and quality. These become real production constraints.
1.5 Confirm and create the session
After Continue, review the confirmation carefully. Aspect ratio, resolution, duration, and credit estimates lock into the session once you proceed.
Do this
Treat confirmation as a final preflight check.
Avoid this
Click through quickly and discover ratio or resolution errors after the run starts.
2 Follow the Agent workflow
Once the session starts, you shape the final film layer by layer: intent, music logic, visual language, structure, frames, motion, and compose.
2.1 Workspace views
Studio has three views: Conversation, Storyboard, and Studio. Stay in Conversation for step approvals first; use Storyboard and Studio once media exists.
2.2 Input analysis
Confirm the music, duration, style, and character references the system will actually use. Drift here gets amplified later.
2.3 Music analysis
Before approving visual planning, check BPM, sections, energy arc, and mood. When this layer is right, scenes and shots grow from the song instead of sitting on top of it.
2.4 Visual style
Commit to a visual route here, or change it here. Ask: if the whole video follows this direction, does it still fit the song?
2.5 Creative brief
Treat the brief as the internal logic of the piece: concept, emotional drive, director vision, and outline.
2.6 Reference images
Judge the board as a system: same identity, same world, same materials. Fix drift before planning and generation amplify it.
2.7 Scene & shot planning
Check whether scenes catch major song turns, then whether shots progress instead of repeating. Fix pacing in planning before storyboard and video.
2.8 Storyboard
Storyboard is the first continuous picture sequence. Fix drifting frames immediately with local regenerations before motion generation.
Do this
Fix storyboard drift as soon as you see it.
Avoid this
Carry broken frames into video clips and hope motion hides them.
2.9 Video clips
Do not approve from thumbnails alone. Confirm key rhythm coverage, then inspect motion itself. Regenerate weak clips and keep strong ones.
2.10 Studio compose & export
Open Studio to review the timeline and final preview. Playback exposes pacing issues thumbnails miss. Download or publish only when it feels like a finished MV.
3 Roll back precisely — do not restart blindly
When something drifts, do not restart the whole run by default. Return to the stage that owns the problem — it saves credits, time, and the parts that already work.
| If you see this | Go back here | Why this stage | What to do |
|---|---|---|---|
| Subject no longer looks like the same person | References / character setup | Identity usually breaks at the source image or anchors | Stabilize the reference board, then continue |
| Pacing does not stick to the song | Music analysis / scene planning | Most rhythm drift is planted before generation | Recheck energy arc, segments, and scene timing |
| Looks polished but wrong for the song | Visual style | This stage chooses the visual route for the whole piece | Change direction here instead of patching later |
| Only one or two storyboard frames are bad | Storyboard | Cheapest clean local fix point | Select the bad frames and regenerate only those |
| Only one or two motion clips are weak | Video clips | Clip strength should be fixed locally | Regenerate weak clips, then recheck in Studio |
| The full playback still feels off | Studio, then the earliest broken stage | Playback reveals issues thumbnails hide | Find the snag, then repair the upstream cause |